He is trapped within a host’s body, but he got to see his daughter grow up into someone that he could be proud of. It’s a nice closure to Caleb’s arc although we don’t see him perish, he stays behind on the dock as he watches Frankie leave the city. “Unsubscribe” plays during Caleb’s escape, and “Hope” plays during his final conversation with his daughter, Frankie ( Aurora Perrineau). Caleb proves that there are some aspects of mankind that are worth fighting for. But at other times in the loop, the player piano starts to play a reduction of Black Hole Sun, or lead into an orchestral version of Paint It Black, which underscores the unsettling. Although Westworld’s third season was divisive, it introduced the human construction worker Caleb ( Aaron Paul) into the mix. Peter ( Aaron Stanford), her roommate Maya ( Ariana DeBose), and the other hosts that “remember” Dolores are just part of her creation.ĭjawadis’s other original compositions from Season 3 return as one of the show’s most beloved characters meets his fate. The “Free Will” theme from Season 3 plays during this realization as well. It’s only fitting that the first season ends with Exit Music For A Film, that there’s a bloody shootout as Paint it Black plays, and that Hale’s ( Tessa Thompson) idealized version of. The theme is brought back in the Season 4 finale when Christina realizes she never left the afterlife she created a puzzle for herself to solve. ("I got my heart right here / I got my scars right here" "Listen, ma, I'll give you all I got / Get me off of this, I need confidence in myself / Listen, ma, I'll give you all of me / Give me all of it, I need all of it to myself" Take you down another level / And get you dancing with the Devil / Take a shot of this / But I'm warning you / I'm on that shit that you can't smell, baby / So, put down your perfume.Season 2 focused on the hosts' journey to find “The Door,” a mysterious passageway that leads them into a digital afterlife called “The Sublime.” The theme song “Vanishing Point” originated in the episode of the same name this first plays as Bernard ( Jeffrey Wright) makes his way to The Sublime in the Valley Beyond. Playing during a fancy charity event where Bernard and Stubbs are trying to find and kidnap Liam, the public face of Incite that Dolores tried and failed to woo and who Bernard and Stubbs suspect might now be a host (he is not), the song most obviously refers to Dolores's web of manipulation, but a few of its lyrics point to the emotional insecurities any one of the characters have internalized on top of that. One of the most recent songs Westworld has used on the show, 2011's "Wicked Games," like most of The Weeknd's club-ready jams, is about being horny, getting fucked up, and feeling bad, but there are a couple subtextual reasons producers might have chosen it. Thus, behold: this compendium of all the pop cover songs Westworld has used, where it appeared, and (likely) why. But besides all the Radiohead (Hey! They got a real one in the finale: " Codex" from 2011's King of Limbs), it's kind of hard to keep track of every modern song that ever had its day in Sweetwater and beyond. Composed for orchestra, string quartet, and a very real player piano by Ramin Djawadi, who also scores Game of Thrones (if you couldn't tell by comparing the theme songs), most every song has deliberate purpose hiding in the original lyrics that are applicable to a character's development and motivations. But one thing has remained consistent after all these years: Some of its best nuggets come from its heavy use of incongruous song covers. With every episode packing in timeline jumps and thin metaphors adding fuel to the show’s theories fire, the HBO series has moved a long way away from its initial draw as a sentient robot drama. Westworld has sort of lost the thread in Season 4.
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